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danciti

the new york city dance blog
In fact, in our 2008 Arts Patron Research study, 45% of people over 55 said that buying online was their preferred method of buying single tickets for arts events.

- Gene Carr’s Patron Technology Blog: Banishing the Myth: Part 284

This actually matters because the 55+ crowd have traditionally been heavy arts ticket buyers. If they are into buying tickets online then we should listen. 

As a result, ballet companies rely on a stupefying amount of recycling. Surely no other art form has as limited a canon as the ballet world, which deals primarily in chestnuts leavened by a few contemporary hits.
In Out of Step in the Washington Post Sarah Kaufman is not impressed with San Francisco Ballet’s New Works program. She thinks that it is “ a microcosm of what’s wrong with the ballet world.”
Or is it that we need to look to America for better ways of marketing the art form?


Judith Mackrell asks  Is ballet’s future in America?

I’d love to believe that better marketing is all that it would take but the issues are much deeper than that. Marketing is more than just the packaging of an artistic product, it’s not just decorations that make people buy it. True transformative marketing may require branding that is different from what the artist has in mind. It would be marketing managers saying “your work doesn’t fit our marketing plan… sorry, try again.” 

average American consumer spending - data
“Admissions” tickets to all recreation events = .7% roughly the same amount spent yearly for sewage and water services.
Check out the whole interactive map at the NYTs. 

average American consumer spending - data

“Admissions” tickets to all recreation events = .7% roughly the same amount spent yearly for sewage and water services.

Check out the whole interactive map at the NYTs